2. Play to the top of your intelligence. I wish I could explain this one better, but I think I just like the phrase, “Play to the top of your intelligence.” (Here is what Google says: ”If your character is stupid, be smart about how you’re stupid,” which I take to mean, be stupid in a specific way).

2a. I am trying to write a book. The book begins with me as a college student, a nineteen-year-old girl. I did a lot of dumb shit at that age. As the writer/present-day narrator (no longer a college student, no longer a teenager), I have to be smart about showing that young girl doing dumb shit.

3. “Yes, and.” Tina Fey’s Bossypantsgets this right: “The Rule of Agreement reminds you to ‘respect what your partner has created’ and to at least start from an open-minded place. Start with a YES and see where it takes you. As an improvisor, I always find it jarring when I meet someone in real life whose first answer is no … ‘No, I will not hold your hand for a dollar.’ What kind of way is that to live? … You are supposed to agree and then add something of your own … To me, YES, AND means don’t be afraid to contribute. It’s your responsibility to contribute. Always make sure you’re adding something to the discussion. Your initiations are worthwhile.” Do I agree with Tina Fey? YES, AND I want to be her sister.

3a. Once applied to writing, you’ll be saying to yourself, “Yes, I want to write this emotionally traumatic scene, and I want to write the healing scene that comes a few years later.” “Yes, I want to hear your constructive criticism, and I’m going to make this chapter stronger because of it.” “Yes, this character goes down on that character, and then they switch it up.” “Yes, this horrible thing happened to me, and I’m going to write about it and turn it into the most beautiful piece of literature.” “Yes, I’m going to write a book, and I’m going to write another.”

*or all you really needed to learn to do great, you learn in improv.

i really must learn to play with other people. but this is fantastic.