The heat inside the human body
grows, it does not know where to throw itself—for a while it knots
into will, heavy, burning, sweet, then into generosity, that longs
to take on the burdens of others, and then into mad love. — From “Walking Swiftly,” a poem in Robert Bly’s Stealing Sugar From The Castle: Selected Poems 1950 – 2013. Damon Ferrell Marbut reviews it at The Rumpus. (via therumpus)
Information on #ReliefPH for #YolandaPH -
The Official Gazette has been collating government advisories and updates on the #YolandaPH page: http://www.gov.ph/crisis-response/updates-typhoon-yolanda/. We have also produced a video to help you navigate the page: http://www.youtube.com/watch?v=Diyc8duAyI8. We’re also regularly…
for someone who loves fairy tales and was a catholic schoolgirl, this is a lovely thing.
way to go copywriter of Doe-Anderson! kinikilig ako for you!
found via Adweek
(oh don’t read the comments na.)
I’ve always sort of secretly thought of feelings as a weakness. I think growing up I always wanted to be someone tougher than I am, and so when I first started not having feelings anymore I thought, “I’m finally this person who doesn’t react. I’m not sensitive anymore.” I enjoyed that for a short time, especially when I hadn’t lost my feelings completely, where I just felt like I was emotionally very strong. And then once all of my emotions disappeared, I very quickly realized that emotions are the only thing that provide variation in your life.
I think there’s a common misconception that depression is about something or depression is sadness or some form of negativity. It can represent a sadness or a self-loathing, as the first half of my depression did. It sort of circled back on itself and made me dislike myself more because I was so sad, and I didn’t know why, and I felt like I needed a reason. … It took me a long time to figure out that something was broken on a fundamental level. There was no reason behind it; it was just the way things were. — Terry Gross from NPR’s Fresh Air interviews Allie Brosh of Hyperbole and a Half.
Thanks very much for your compliments on my [writing/illustration/whatever thing you do]. I’m flattered by your invitation to [do whatever it is they want you to do for nothing]. But [thing you do] is work, it takes time, it’s how I make my living, and in this economy I can’t afford to do it for free. I’m sorry to decline, but thanks again, sincerely, for your kind words about my work. —
At the end of his must-read New York Times op-ed on why we shouldn’t devalue our work by indulging all the requests to give it away for free (so that it can be sold for advertising), Tim Kreider, author of We Learn Nothing, offers this perfect reply-template for responding to such requests respectfully but resolutely.
He adds an infinitely necessary note on how referring to creative work as “content” commodifies it and exposes the greatest tragedy of mainstream media – the vendorship of advertising for which all else is a mere vehicle:
This is partly a side effect of our information economy, in which “paying for things” is a quaint, discredited old 20th-century custom, like calling people after having sex with them. The first time I ever heard the word “content” used in its current context, I understood that all my artist friends and I — henceforth, “content providers” — were essentially extinct. This contemptuous coinage is predicated on the assumption that it’s the delivery system that matters, relegating what used to be called “art” — writing, music, film, photography, illustration — to the status of filler, stuff to stick between banner ads.
(Source: , via explore-blog)
for every boy i fell in love with, i read/listened/watched something out of character. i got to keep all those novels, films, stories, songs.
i now have three Elmo apps on my phone and have subscribed to the sesame street YouTube channel. hahahaha. anything for a boy.
Collect and recollect. These things I do
within, where, present with me is the world
and whatever I could think of it,
and what I have forgotten. Some things
I buried, though they seemed self-buried,
or slipped out of my mind when they had
glided further into me as I believed
them gone. Once my mouth had been aroused
by the side of a man’s thumb moving over it,
the image fixed in me by that impress
recalls the hand, or my heightening,
as if I know my lover when I have him,
or when I have no one. In this way
my mind contains my body and can keep
in mind delight, whether I revisit with the
pleasure of my body, or I revisit thinking
my sad thoughts, or I keep back my desire
like the broken animals.
—Kathleen Peirce, “Confession 10.8.13”
Art Credit Onchi Koshiro.
Claire - Games (Passion Pit Remix) by Claireofficial on SoundCloud -
It’s all right as long as I can be with you.
though many fairy tales talk about a girl finding her great love, i can’t seem to stop thinking about the girl and her 6 swan brothers.
and how because she couldn’t hold her voice in long enough, one of them came home with a wing instead of an arm.
sometimes i feel like that.
(Source: Flickr / youareace, via observando)
Where my sisters at?!
Love this painted coin project on tumblr—-it’s called Tales You Lose.